| |
COLOR NEGATIVE & COLOR POSITIVE SERVICES |
Process and Workprint |
PRICES ARE PER FOOT |
16mm |
35mm |
| ECN II process–normal |
$ .14 |
$.16 |
| ECN II process–force 1 or 2 stops |
.17 |
.19 |
| Best-lite workprint |
.37 |
.33 |
| Fully timed workprint |
.47 |
.47 |
| Leader, prep & clean, add |
.07 |
.07 |
| Negative rewash (minimum $50) |
.33 |
.33 |
| Bleach by-pass ($150 an order) |
.18 |
.20 |
| Cross Processing |
.15 |
N/A |
| Stabilizing for cross processing, per order: |
$150.00 |
| |
Answer Prints
Schmitzer Liquid Gate – 16mm, Super16, & 35mm
Minimum charge for answer printing services per order: $120.00 |
PRICES ARE PER FOOT |
16mm |
35mm |
| A&B roll set-up, per hour |
$90.00 |
$90.00 |
| Single-strand answer print |
1.30 |
1.21 |
| A&B answer print |
1.44 |
1.35 |
| Ultra-sonic cleaning, add |
.07 |
.07 |
| A&B&C answer print |
1.58 |
1.49 |
| Fades/dissovles (each) |
14.00 |
14.00 |
| Additional roll printing, add |
.14 |
.14 |
| Sync optical track to negative, per reel |
$100.00 |
$100.00 |
| 16mm optical soundtracks (min. $90.00) |
.68 |
N/A |
| 35mm optical tracks/per 1000' reel (1000' min.) |
N/A |
$555.00 |
| |
Corrected Answer Prints
Minimum charge for corrected prints per order: $100.00
|
PRICES ARE PER FOOT |
16mm |
35mm |
| One single-strand print |
$.85 |
$1.05 |
| 2 or more single-strand prints |
.85 |
1.05 |
| One A&B print |
1.01 |
1.20 |
| |
A&B Release Printing |
PRICES ARE PER FOOT |
16mm |
35mm |
| Single-strand prints |
$.81 |
$.92 |
| A&B prints |
.96 |
1.08 |
| |
Printing Intermediates
Schmitzer Liquid Gate – 16mm, Super16, & 35mm |
PRICES ARE PER FOOT |
16mm |
35mm |
| Single-strand interpositive |
$1.73 |
$2.17 |
| A&B interpositive |
1.94 |
2.52 |
| Single-strand duplicate negative |
1.73 |
2.17 |
| A&B duplicate negative |
1.94 |
2.52 |
| Single strand internegative |
1.82 |
2.54 |
| A&B internegative |
2.13 |
2.73 |
| |
Special Telecine Stock |
Kodak Teleprint Film 3395 and 2395, add $.27/ft.
|
| |
Release Prints from Intermediates (Color & B&W Positives)
Schmitzer Liquid Gate – 16mm, Super16, & 35 mm |
PRICES ARE PER FOOT |
16mm |
35mm |
| Checkprint |
$.65 |
$.73 |
One release print
|
.62 |
.68 |
| 2-10 release prints |
.57 |
.64 |
| 11 or more, call for quote
|
| |
Optical Reproductions 1:1 Liquid Gate
Optical set-up charge – $80.00 |
PRICES ARE PER FOOT |
16mm |
35mm |
| Single-strand interpositive |
$2.69 |
$3.77 |
| A&B interpostive. |
3.35 |
4.30 |
| Single-strand duplicate negative |
2.69 |
3.77 |
| A&B duplicate negative |
3.35 |
4.30 |
| Single-strand internegative |
2.98 |
3.77 |
| A&B internegative |
3.62 |
4.30 |
| Single-strand positive master |
1.58 |
3.09 |
ADDITIONAL REPRODUCTION SERVICES |
| Fades, each |
$14.00
|
| Dissolves, each |
14.00
|
| Additional roll printing, add per foot |
.25
|
| Freeze frame, each |
25.00
|
| Frame repositioning/cropping, each |
25.00
|
| Skip frame, each |
25.00
|
| 35mm reduction, add per foot |
.40
|
| Stretch optical, add per foot |
.50
|
| Step printing—1 ratio, add per foot |
.75
|
| Step printing—mixed ratio, add per foot |
1.00
|
| In-camera dissolves, each |
14.00
|
| Optical running time, per hour |
100.00
|
| All other special effects, per hour |
200.00
|
PLEASE NOTE: Original negative material must be answer printed by Colorlab before blow-up or for 1:1 optical reproduction.
|
| |
Optical Blow-Ups from Small Gauge Formats
8mm, Super 8, 9.5, & 28mm, Liquid Gate |
Blow-Ups to 16mm, S-16, & 35mm, per foot
|
$5.00 |
| |
Optical Blow-Ups from 16mm or Super16 to 35mm, Liquid Gate
Optical set-up charge – $90.00 |
PRICES for 35mm blowup from Super 16mm or 16mm to: (PER FOOT) |
| 35mm color positive print single strand |
$1.96
|
| 35mm color positive print A&B |
3.28
|
| 35mm color internegative single strand |
3.77
|
| 35mm color internegative A&B roll |
4.30
|
| 35mm color interpositive single strand |
3.77
|
| 35mm color interpositive A&B roll |
4.30
|
| 35mm color dupe negative single strand |
3.77
|
| 35mm color dupe negative A&B roll |
4.30
|
PLEASE NOTE: Original negative material must be answer printed by Colorlab before blow-up or for 1:1 optical reproduction.
|
|
| |
BLACK & WHITE NEGATIVE & POSITIVE SERVICES |
Process & Workprint |
PRICES ARE PER FOOT |
16mm |
35mm |
| B/W negative original |
$.165 |
$.18 |
| B/W neg. - force 1 or 2 |
.195 |
.20 |
| Fully timed B/W workprints (timed on Digital Density Analyzer) |
.42 |
.36 |
| Cross Process B/W |
.17 |
N/A |
| Leader, prep, clean, add |
.07 |
.07 |
| Negative rewash (min. $50) |
.33 |
.33 |
| |
Answer Prints
Schmitzer Liquid Gate—16mm & 35mm
Min. charge for answer printing services, per order: $120 |
|
16mm |
35mm |
| A&B roll set-up, per hour |
$90.00 |
$90.00 |
PRICES PER FOOT |
| Single-strand answer print |
$1.30 |
$1.21 |
| A&B answer print |
1.44 |
1.27 |
| Desmet Method printing pass |
.23 |
.23 |
| Fades/dissolves (price per each) |
14.00 |
14.00 |
| Additional roll printing, add |
.14 |
.14 |
| Sync optical track to negative, per hour |
100.00 |
100.00 |
| 16mm optical soundtracks (min. $90.00) |
.68 |
N/A |
| 35mm optical tracks/per 1000' reel (1000' min.) |
N/A |
$555.00 |
| |
Corrected Answer Prints
Schmitzer Liquid Gate—16mm, Super 16, &35mm
Min. charge for corrected prints, per order: $100 |
PRICES ARE PER FOOT |
16mm |
35mm |
| One single-strand prints |
$.85 |
$1.05 |
| 2 or more single-strand prints |
.85 |
1.05 |
| One A&B print |
1.01 |
1.20 |
| |
A&B Release Printing |
| Single-strand prints |
$.81 |
$ .92 |
| A&B prints |
.96 |
1.08 |
| |
Printing Intermediates
Schmitzer Liquid Gate–16mm & 35mm |
PRICES ARE PER FOOT |
16mm |
35mm |
| Single-strand fine-grain master positive, 3366/2366 |
$1.20 |
$1.30 |
| A&B fine-grain master positive, 3366/2366 |
1.38 |
1.60 |
| Single-strand duplicate negative, 3234/2234 |
1.32 |
1.62 |
| A&B duplicate neg, 3234/2234 |
1.63 |
1.94 |
| |
Release Prints from Intermediates |
| Checkprint |
$.62 |
$.73 |
| One release print |
.59 |
.68 |
| 2-10 release prints |
.57 |
.64 |
| 11 or more, Call for quote |
| |
Optical Reproductions 1:1 Liquid Gate
Optical set-up charge – $90.00 |
PRICES ARE PER FOOT |
16mm |
35mm |
| Fine-grain master positives, single-strand, 3366/2366 |
$2.21 |
$3.10 |
| Fine-grain master positives, A&B |
2.62 |
3.57 |
| Duplicating negatives, single-strand, 3234/2234 |
2.30 |
3.52 |
| Duplicating negatives, A&B, 3234/2234 |
2.96 |
4.01 |
| Single-strand positive master |
1.62 |
3.11 |
| Fades/dissolves, each |
14.00 |
14.00 |
| Additional roll printing, add per foot |
.25 |
.25 |
| 35mm Reduction, add per foot |
N/A |
.40 |
| Optical running time |
$100.00/hr. |
| |
Optical Blow-Ups from Small Gauge Formats
8mm, Super 8, 9.5mm, & 28mm, Liquid Gate |
| Blow-Ups to 16mm, S-16, & 35mm, per foot |
$5.00 |
| |
Optical Blow-Ups from 16mm or Super16 to 35mm, Liquid Gate
optical set-up charge–$80.00 |
| 35mm pos. prints, single-strand |
$1.80
|
| 35mm positive print, A&B |
2.30
|
| 35mm fine-grain master positive, single-strand, 2366 |
3.10
|
| 35mm fine-grain master positive, A&B, 2366 |
3.57
|
| 35mm duplicating negative, single-strand, 2234 |
3.77
|
| 35mm duplicating negative, A&B, 2234 |
4.30
|
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FILM-OUT (TAPE-TO-FILM) SERVICES TO 16MM OR 35MM DIGITAL INTERMEDIATES |
Colorlab has developed this product to answer the need of Archivists and filmmakers to deliver affordable film prints from digital tapes or file formats. This product can be used for making film negatives of simple titles or finished digital programs.
We achieve this by taking your digital file or tape master and writing it onto a new color internegative or B/W duplicate negative with a series of three HD LCD’s. We can also digitally manipulate your file to create either scoped intermediates (for anamorphic widescreen projection) or flat intermediates. Please specify either scoped or flat intermediates when placing your order.
Please supply the highest resolution tape master or digital file for transfer. Files should be submitted on hard drives and accepted formats are .fcp, .mov, .tiff., .pdf, .psd, and .jpeg. Others may be available upon request.
Finished Programs
from hard drive or tape master, 24fps, SD or HD, color or B/W
includes digital intermediate and first answer print; optical soundtrack and sync charges billed separately
| 16mm |
$195/minute |
| 35mm |
$265/minute |
| Minimum Charge |
5 minutes |
Titles/Logos only
from client supplied computer file of composed title and cue sheet of length/fade events
includes digital intermediate color internegative or B/W duplicate negative only; workprint of finished title billed separately
16mm or 35mm: $600/hour
Estimated time required depends on factors such as number of titles, total length, and complexity of cue sheet.
Example 1: A text file is submitted with the wording of each title card and descriptions of how it should appear on the screen. Colorlab then has to create each title card. One hour will produce approximately 5 of these titles.
Example 2: A Photoshop file is submitted with the layouts of 30 title cards with instructions concerning how long to hold each title and any fade-in/fade-outs. Colorlab does not have to create each title card. One hour will produce approximately 30 of these titles.
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|
|
| 8mm, super 8, 9.5mm, 16mm, 17.5mm, 28mm, & 35mm Film Preservation, per hour (Film Pres. services include inspecting film, measuring shrinkage, splicing/repair) |
$90.00 |
1/4" to 16mm mag transfers, per hour (one hour minimum),
plus stock @ $.09/ft |
90.00 |
| DAT or digital audio files to 16mm mag or video, per hour (one hour minimum),
plus stock |
90.00 |
| Black or white leader, per foot |
.11 |
| Orange base leader — 16mm/35mm, per foot (100' min) |
.44 |
| 16mm fill leader, per foot |
.05 |
| 16mm color positive academy leader, each |
5.00 |
| 16mm negative academy leader, each |
10.00 |
| Splicing/repair, per hour; (one hour minimum) |
90.00 |
| Tab-to-tab printing, per tab |
30.00 |
| Color positive tab printing, per foot |
.55 |
| |
Film Storage
Minimum charge per month: $15.00
|
All elements provided by the client or generated for the client by Colorlab are subject to storage charges
starting one month from the date the elements are received or generated. A container is an ECN box, audio case, cassette, or film can. These charges are billed monthly in advance and/or at time of release to client. Colorlab will combine elements in containers whenever possible to minimize costs. |
| Storage fee, per container, per month |
$1.00 |
| One-time log-in fee for computer cataloging, per container |
2.00 |
| |
Courier and Rush Charges |
| Pick up & delivery, each way |
Call |
| Rush pick & delivery, each way |
Call |
| |
Rush Turnaround Premium |
For film-to-tape & tape-to-tape, add 50% |
| |
Estimating |
| per hour |
$90.00 |
The fee for estimating that requires significant film handling is waived when the job is completed at
Colorlab. Turnaround: allow up to 7 working days.
|
| |
Archival Reels and Cans
Plastic unless noted otherwise |
| 16mm reels or cans |
| 400' |
$4.00 |
| 600' |
10.00 |
| 800' |
11.50 |
| 1200' |
13.00 |
| 1600' |
15.00 |
| 2000' |
23.00 |
35mm |
| 1000' archival plastic can |
16.00 |
| 2-reel ICC cases/metal |
70.00 |
| 3-reel ICC cases/metal |
76.00 |
| 4-reel ICC cases/metal |
80.00 |
8mm/Super8 |
| 200' reel & can set |
6.00 |
| 400' reel & can set |
8.00 |
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|
|
| |
FILM-TO-TAPE TRANSFER—HI-DEFINITION |
NOVA HD Telecine samples all 3 channels of RGB at full color bandwidth at 4:4:4 and full raster. The NOVA uses the Digital Vision DVNR 2K Noise Reducer and Dirt and Scratch Removal. Primary and secondary color correction handled by daVinci 2K color corrector. Capable of all HD formats at 4:2:2 or 4:4:4 single link or dual link. Film gauges able to transfer to Hi-Definition are 35mm, S-35, S-16, 16mm, Liquid gate 16mm, 17.5mm, 28mm, 9.5mm, Super 8mm, and 8 mm. |
HD Scene-to-Scene color correction, per hour, ½ hour minimum ($325 min. charge)
Supervised or Unsupervised
|
$650.00 |
HD Best-light correction, per hour, ½ hour minimum ($486 min. charge) (4-5 corrections per 1000')
|
972.00 |
Best-light unscheduled-35mm, per foot
|
.18 |
Best-light unscheduled-Super 16 or 16mm, per foot
|
.45 |
HD One-light correction, per hour, ½ hour minimum ($325 min. charge) (One initial setup per 1000')
|
650.00 |
One-light unscheduled-35mm, per foot
|
.12 |
One-light unscheduled-Super 16 or 16mm, per foot
|
.30 |
Other formats such as 8mm, Super 8, 9.5mm, 17.5mm, and 28mm transfers are billed at fully corrected scene-to-scene rates; no gate rental premiums are charged. HDCam and HDCam SR tape stock prices apply. |
Custom Framing of 16: 9 extractions from 4:3 film formats (i.e., regular 16mm 4:3 or 35mm academy aperture): No additional charge |
Tapeless Hi-Definition Transfers to Hard Drive (Bypass Tape Master), per hour
Video image will be stored on a house DDR (Digital Disk Recorder) then exported to customer-supplied hard drive.
NOTE: Fully uncompressed 10-bit 4:4:4 RGB HD transfers require the client to supply digital storage media capable of sustained transfer rates of 200 megabytes per second (equivalent to 1,600 megabits per second). |
$300.00 |
| Downconverts to SD from HDCam or hard drive, per hour (stock additional) |
100.00 |
| Upconverts from SD to HDCam or hard drive, per hour (stock additional) |
300.00 |
| |
Hi-Definition Tape Stock |
| SONY HD Cam Tape Stock |
| BCT-6HD |
$39.92 |
| BCT-12HD |
43.41 |
| BCT-22HD |
45.27 |
| BCT-32HD |
54.17 |
| BCT-40HD |
65.32 |
| BCT-64HDL |
90.42 |
| BCT-94HDL |
130.35 |
| BCT-124HDL |
150.71 |
SONY HD Cam SR Tape Stock |
| BCT-6SR |
$62.28 |
| BCT-33SR |
99.36 |
| BCT-40SR |
108.68 |
| BCT-64SRL |
141.52 |
| BCT-94SRL |
239.02 |
| BCT-124SRL |
333.27 |
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|
FILM-TO-TAPE TRANSFERS:
STANDARD DEFINITION, NTSC & PAL
|
Film-to-tape transfers are performed on 2 Rank Cintel MK IIICs and one URSA Enhanced Digiscan IV Flying Spot Scanners (two with 4:2:2 output and one with 4:4:4 output) featuring: enhanced pick-up tubes, digital component frame store, freeze frame, X/Y repositioning zoom, variable speed 16mm, 35mm, Super 8mm, 8mm, 9.5mm, 17.5mm, and 28mm formats with mag or optical sound, daVinci color correctors, Super 16 RTS Steadigates, Time Logic Controllers, and Peterson Wet Gate transfer system. All NTSC suites have Aaton KeyLink and Indaw digital audio work stations technology providing automatic syncing from Nagra T and DAT and keycode reading. Transfers are available to Digital Betacam, D3, D2, 1" type C, BetacamSP NTSC & PAL, MII, 3/4" BVU-950 SP, S-VHS, & PAL Digital Betacam, DVCam, Mini DV, PAL Mini DV, PAL DVCam.
|
NTSC—Scene-to-scene, color correction, ½ hr. minimum |
| Supervised, per hour (includes specialized framing) |
$385.00 |
| Unsupervised, per hour |
350.00 |
| |
NTSC Video Dailies—Best-light overall color correction, $324 min. charge (4-5 corrections per 1000') |
| Best-light—35mm, per foot |
$.15 |
| Best-light—Super 16 or16mm, per foot |
.30 |
| Reel changes, each (includes specialized framing) |
25.00 |
| |
NTSC Video Dailies—One-light overall color correction, $205.00 min. charge (One initial setup per 1000') |
| One-light unscheduled—35mm, per foot |
$.11 |
One-light unscheduled—Super 16 or16mm, per foot
|
.19
|
| Reel changes, each (includes specialized framing) |
25.00 |
Other formats such as 8mm, Super 8, 9.5mm, 17.5mm, and 28mm transfers are billed at fully corrected scene-to-scene rates; no gate rental premiums are charged. Standard definition tape stock is additional unless supplied by the client.
Transfers to DVD available. Fully color corrected broadcast quality transfers of home movies available.
|
| |
PAL—Scene-to-scene, color correction, per hour, ½ hr. minimum |
| Supervised |
$400.00 |
| Unsupervised |
375.00 |
note: PAL ONE-LIGHT TRANSFERS ARE NOT AVAILABLE |
| |
Tape-to-Tape color correction,
scene-to-scene, per hour |
| Supervised |
$275.00 |
| Unsupervised |
235.00 |
| |
Standards Conversion to PAL, D-Beta, BCSP, & VHS
min. charge—1/2 hour, plus stock |
| 30 min. |
$140.00 |
| 60 min. |
210.00 |
| |
ADDITIONAL FILM-TO-TAPE SERVICES, per hour (Minimum charge for the following services: 1 hour) |
| Keycode reading |
$100.00 |
| Recording to Digital Betacam, D3, MII |
80.00 |
| Recording to additional 1" or Betacam machines |
90.00 |
| Audio transfer & syncing on Nagra T/DAT Smart slate or clap slate/beeper |
90.00 |
| Audio transfer & syncing via Aaton KeyLink system, add, per hour |
90.00 |
| Simul DAT |
90.00 |
| Transfer via Peterson Wet Gate |
150.00 |
| Transfer from 16mm or 35mm mag track mono, stereo, 3 or 4 track |
90.00 |
| DAT to 16mm mag, video, audio cassette (stock additional) |
90.00 |
| Simultaneous recording onto 3/4" or 1/2" (stock additional) |
45.00 |
| |
Miscellaneous Transfer Fees |
| Assemble/Insert Edit, each |
45.00 |
| FLEX Files diskettes, each |
2.50 |
| CDs, each |
20.00 |
| |
Tape-to-Tape Preservation and Time Code Dubbing, per hour |
| From D-Beta |
$80.00 |
| From DV Pro (stock additional) |
90.00 |
| From Betacam |
90.00 |
| From 3/4" |
90.00 |
| From Betacam PAL |
90.00 |
| From 2" Quad |
285.00 |
| |
DVD Prices from Film or Video Format |
| 1-5 minutes |
$34.80 |
| 6-20 minutes |
43.20 |
| 21-30 minutes |
46.80 |
| 31-40 minutes |
58.80 |
| 41-60 minutes |
70.80 |
| Up to 2 hours |
94.80 |
| |
DVD Copies, each: |
| Up to 10 copies |
$8.50 |
| 11 to 20 copies |
7.90 |
| 21 to 30 copies |
7.50 |
| 31 to 50 copies |
7.20 |
| 51 to 100 copies |
6.90 |
| |
Standard Definition Tape Stock |
SONY SD Cam Tape Stock |
| Digital Betacam |
| BCT-D12 |
$46.55 |
| BCT-D22 |
52.25 |
| BCT-D32 |
57.00 |
| BCT-D40 |
59.85 |
| BCT-D64L |
75.05 |
| BCT-D94L |
117.80 |
| BCT-D124L |
150.37 |
Betacam SP |
| BCT-10MSP |
$25.65 |
| BCT-20M SP |
26.98 |
| BCT-30M SP |
28.50 |
| BCT-60ML SP |
40.37 |
| BCT-90ML SP |
63.25 |
| Mini-DV |
| Mini-DV60 |
$11.90 |
| Mini-DV80 |
15.50 |
DV Cam |
| PDV 34N |
$22.98 |
| PDV 64N |
26.12 |
| PDV 94N |
33.41 |
| PDV 124N |
38.52 |
VHS - 1/2” Broadcast (Color Plus) |
| T-15 |
$4.60 |
| T-20 Album |
7.55 |
| T-30 Album |
7.55 |
| T-60 Album |
8.56 |
| T-120 Album |
10.06 |
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|
FILM & TAPE PRESERVATION SERVICES |
At Colorlab, all film preservation services are performed on an as-needed basis. For instance, through careful evaluation of the original material, we find that liquid gate contact re-mastering renders a master just as steady and clean as the much more expensive optically produced master, providing there is not extreme shrinkage and brittleness or need for re-positioning. These masters are fully timed just like our optically produced products.
Applying these principles provides the archivist client with more funds to preserve more films. Of course, we perform liquid gate optical re-mastering when required, but our goal is to preserve more film, not perform unnecessary reproduction services.
| Film Preservation Services |
$90.00/hour |
Film Preservation evaluations include:
- Measuring shrinkage
- Measuring fade percentage to arrive at course of action
- Repairing perforations, splices, and picture area as needed
- Identifying emulsion-side projector scratches and rubs to see if re-washing needed
- Identifying base-side scratches to see if liquid gate telecine is required
- Determining the amount of brittleness and cupping to see if film needs RePlasticizer Treatment before film or telecine preservation
|
Re-washing, all film formats, per foot
Rewashing film material to remove emulsion-side projector rubs and scratches, all film formats. |
$.33 |
RePlasticizer Treatment, all film formats, per foot
Involves chemically reintroducing pliability into severely brittle and distorted film, enabling preservation to film or video without the soft side-to-side focus and image movement characteristic of brittle and cupped film. |
.95 |
Hand cleaning, all film formats, per hour
Using ECCO 2000 Straight Film Cleaner and Webril Wipes, splice repair (Ultrasonic Splicing available for polyester material), perf repair, using A-D Strips for evaluation. |
90.00 |
Ultrasonic cleaning, all film formats, per foot
Using perchloroethylene in two Lipsner Smith CF3000 VCS machines. |
.07 |
| |
Tape Preservation Services
Video tape preservation is performed on an as-needed basis. Not every ¾” U-Matic tape from the 1970s, for instance, needs to be baked; in fact, most do not |
Tape Preservation, per hour
In the interest of keeping the hourly price down and enabling the preservation of as much material as possible, we have a 2-tier pricing structure. When there are oxide destruction problems and each tape needs individual attention, the hourly rate is $80.00 for as long as it takes to get re-recordable originals. |
$90.00 |
Tape Baking, per hour
When the tapes play, the rate is a straight hourly rate to include a source deck and 2 record-to decks on a one-to-one basis. For instance, ¾” to BCSP and simultaneous VHS is $80.00/hour (tape is billed separately). In the case of ¾” source decks, our engineer has assembled two sets of 1970s and 1980s vintage Sony ¾” decks with the Sony-recommended Time Base Correctors (the BVT 800).
|
105.00 |
|
All orders are accepted subject to these terms & conditions*:
COLORLAB CORPORATION shall not be liable to Customers or others for loss of any kind whatsoever due to delays or failure in performance caused directly or indirectly by “force majeure” or any cause whatsoever, including loss or damage during delivery to/from COLORLAB.
COLORLAB respectfully points out that prices are never proportionate to the value of the materials entrusted to it. Customer’s films and tapes are received, developed, printed, transferred, and stored by COLORLAB only at the customers’ risk, and COLORLAB does not accept responsibility for any loss or damage to such film or tapes from any cause whatsoever, including negligence by COLORLAB technical or administrative staff.
Any loss of camera original or tapes, preservation originals, or any client property will not be reimbursed to client by any manner such as cash reimbursement or return of new rawstock. COLORLAB will have no liability for loss or damage for jobs shipped to a third party subcontractor.
Camera films, tapes, negatives and positives, preservation originals and customer’s other property delivered to COLORLAB are accepted on the express condition that same are insured by the owner thereof, with waiver of subrogation for the full amount of all risk, possible damage and loss. COLORLAB holds a lien thereon for the general balance from time to time due COLORLAB by the customer in respect to processing, printing, storage charges, or otherwise. COLORLAB has the right to charge late fees on balances not paid in 20 days and has the right to pass off to collection any and all bills not paid in a timely manner. The Customer is responsible for legal fees incurred by COLORLAB in the collection of said debts, which is customarily 35% to 50% of the collected debt. Debt collected in this manner then generally increases to 35% to 50% greater than the original amount owed.
COLORLAB may require any Customer to retake possession of any and all materials held in its vaults. COLORLAB, after 30 days’ written notice to Customer’s last known address sent via USPS 1st class mail, may send same to a public warehouse with the Customer then responsible for incurred storage fees, or may destroy such materials, or may store the same at the Customer’s expense. All such charges are to be secured by Customer’s rights in and to such materials. At COLORLAB’s discretion, Customer’s films/tapes remaining at COLORLAB after 30-day notification has been given, may become the property of COLORLAB including all copyrights and entitlements. Customer’s films, negatives, and positives received for the safekeeping, developing, printing, processing, or handling are subject to the terms and conditions herein.
The Customer assumes all liability under the copyright laws and under any other laws, both federal and state, arising out of the fulfillments by COLORLAB of any such services for the account of the Customer, who agrees to indemnify and hold COLORLAB free and harmless of any and all suits, claims, damages, liabilities, and expenses (including, but not limited to, attorney’s fees) which may arise directly or indirectly from the performance of such services by COLORLAB for the Customer.
COLORLAB will endeavor to keep its customers advised concerning the exposure, photographic quality, and physical condition of the negative films received from them for processing, but shall not be held responsible for failure to do so.
All prices are subject to change without notice.
COLORLAB has net 20-day credit accounts available, with approved credit. COLORLAB requires customers to have on file authorization for credit-card usage by COLORLAB for amounts that are over 30 days past the invoice date. COLORLAB accepts American Express, MasterCard, Visa, and Discover. For clients without approved 20-day credit accounts, COLORLAB requires that all jobs valued at $2,000 or more must be secured with half payment when the work is ordered.
*This document must be signed and dated by the owner or legal representative of the Customer submitting work. Work will not commence until this happens. By signing this document, the Customer has also confirmed all directions given by the Customer on the various spec sheets that must accompany submitted work. If work is sent to COLORLAB via Customer’s carrier, this form can be printed from the COLORLAB web site, signed, and faxed to a COLORLAB Customer Representative at 301-816-0798. PRINTABLE VERSION
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click here to view pdf version of pricelist for printing
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