Colorlab Brings Cinema Projection to the Lab

With the recent purchase of a new Kinoton FP 38 E Studio Projector, Colorlab is the first Washington D.C.-area film lab to offer the screening capabilities of a modern cinema. Because Colorlab does not charge clients for answer print screening sessions with Chris Hughes, their Head Film Timer, filmmakers are realizing the benefits of having their prints screened on a state-of-the-art cinema projector.

The Kinoton is capable of screening 16, S-16, and 35mm film and its 5400 K lamphouse can be quickly scaled down to 3400 K. Prints can be viewed with absolute precision as the projector can run at speeds as low as 4 fps, allowing Hughes to critically check focus. With a remote control inside the screening room, the Kinoton can smoothly play in reverse and fast forward so clients can maximize their time with Hughes. Screening sessions with the Head Film Timer are extremely important to evaluate focus in preparation for ordering a blow-up or blow-down.

"This is the exact same projector they use at the National Gallery of Art," said Russ Suniewick, President of Colorlab. "The Kinoton is an extremely valuable addition to our timing department and we’re pleased to offer this technology to our clients."

"Answer printing is a critical and extremely important stage of a filmmaker’s journey through the lab," said Hughes. "Communication with our clients is crucial…the added-value of the Kinoton supports the productivity of our sessions and provides our clients with more information. We can view their film on a projection system that is at least equivalent, if not better, than most systems found in today’s presentation venues."