The Film Services Menu:

(1) Guide to Shooting 16mm or Super 16 for HD Transfer

(2) An introduction to blow ups and blow downs (including a sample budget)

(3) Video Dailies at Colorlab (What you should know before viewing and a sample budget)

(4) Colorlab Brings Cinema Projection to the Lab

Colorlab follows industry practice of keeping film elements for 30 days after the completion of a project at no cost to the client. After that, vaulting charges will be applied (see the price list).  If we cannot locate the client after 90 days, we will discard the elements. It is the client's responsibility to make sure that Colorlab has a current address. 

 

For an updated listing of our prices and services:

 

STANDARD PRICELIST

SIMPLIFIED STUDENT PRICELIST

 

 

Home Movie Transfers of 8mm, Super 8mm and 9.5 Film

 
 
Laboratory and Telecine:
16mm, Super 16, 35mm, & 8mm color negative processing • 16mm, Super 16 & 35mm black and white negative/positive processing • 16mm reduction workprints • Fully timed 16mm, Super 16 & 35mm liquid gate answer prints and intermediates • 8mm, Super 8, 16mm, Super 16, and 28mm  blow-ups to 35mm • Blowdowns from S-16mm (Super 16 prints with sound) • 16, Super 16 & 35mm 7244/5244 interpositives for film-to-tape transfers • Liquid gate optical Super 16 masters from any film format • Hi-Def & SD Film-to-tape transfers • Aaton KeyLink system • Tape-to-film transfers • Indaw Digital Audio work stations • daVinci tape-to-tape color correction

 

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